I was first attracted to the film, Kristiane Fbecause the sound-track was by David Bowie and, at that stage, I was particularly obsessed by Bowie and his writing. It was a bleak portrayal of babystrich berlin teenage years. She became addicted to heroin aged 13 and quickly became prostitute to fund her habit; both drugs and sex were for sale around the Zoo Station and outside the babystrich berlin of the so-called Babystrich baby strip in West Berlin. Given its subject matter, the film was a challenging view, despite the excellent soundtrack.
Christiane F. In the film we see her at the gig and see Bowie play Station to Station live, some of the song apparently addressed to an adoring Kristiane in the very front row of the crowd. She goes from slightly goofy and a little out of her depth in the Sounds nightclub, through gorgeous at the Bowie gig, to pale, spotty and gaunt at the end.
Overall, in fact, the film breaks into two halves: the early days of teen discovery and independence at the start, with her first boyfriend and her first time having sex and encountering drugs - starkly contrasted with the second half which is all blood, vomit, snot, hopelessness and death.
Bowie soundtracks the first half, up to his Berlin concert; after that, things get bleak- as does the music…. The real Christiane would probably have been perfectly at ease with my response to her looks: in her book she records how the street kids could spot the student punters because they were the ones who turned up on foot to look for a partner.
Older, richer men arrived in cars and had sex with the girls in those cars; the students were the only ones they trusted to take back to their flats.
The book was very frank about the sex work: in a morning the girls could easily make enough from blow jobs in the backs of cars to more than fund their habit for the next twenty four hours. Ten years or so later, U2 released the album Achtung Baby. For me, the album track Zoo Station immediately triggered memories of Kristiane Fand I assumed rightly or wrongly that they had got the title from the film as well and that it was all about addiction and sex with minors, with references to the story incorporated.
You can decide for yourselves:. Your interpretation is part of what makes it ificant to you.
But the video, as you may spot, with its druggy cinematography, the images of falling and dealing, and the rooftop scene, all seem to echo the film. Describing the lengthy creative process that eventually produced the song, Bono has said that part of the inspiration for the lyric was a story about air-raid damage to the zoo during the World War II that had set some of the animals free to wander the city streets.
If my interpretation has any validity at all, it places the song in an unsurprisingly small category of rock ball to child prostitution- understandably, a genre never likely to have babystrich berlin popularity.
In his final verse the narrator invites one of these young females babystrich berlin come on down to his place, to talk about love- and then to make love. The discomfort this lyric can engender today at least may argue for the benefits of a more allusive, less specific approach to song writing. Gilder leaves little scope for interpretation, whereas Bono does. These tunes are just a handful of dozens concerned with desire for and sex with underage girls. Another examples is the cover for the album Blind Faith by the band of the same name, which included Eric Clapton, Ginger Baker and Steve Winwood.
The sleeve was deed and produced by photographer Bob Seidemann, a friend of Clapton who had already photographed rock musicians including Janis Joplin and the Grateful Dead.
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He has said that he wanted to creative an image depicting human ingenuity and technology in the form of a spaceship and for this to be borne by a symbol of innocence, a young girl. He specifically wanted that girl to be at the beginning of her transition to womanhood.
Instead, he used her younger sister, Mariora Babystrich berlin, who was eleven. The cover shows Mariora topless and looking a bit gormless, holding what seems to be an aluminium or stainless-steel model of a jet fighter. The model closely resembles a sex toy which, combined with her pubescent breasts, has made the image pretty contentious.
This uses an image by controversial Czech photographer, Jan Saudek. The clips available on suggest a very strong debt to Trainspotting, though. You are commenting using your WordPress. You are commenting using your Google.
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